ABSINTHE SNOWBOARD FILMS RESONANCE

This episode of Absinthe’s ‘behind the scenes of Resonance’ series focusses on Kass and Gigi hooking up with Wolle Nyvelt in a pow-laden Arlberg and Snowboarding is not a crime taken from Whitelines from Spring Absinthe has four principle filmers: When we started we had a good sense for the young and upcoming riders that stood loyal to us over all these years and we always went the extra mile to satisfy our audience. Check out Marc Swoboda dropping bombs on this poor battleship jib feature. We got him in our crews mid season for a few shoots and are very stoked to have the first ever South American rider in our film — without any sponsor backing him. Only time will tell if Absinthe shake things up in the future or perhaps risk falling by the wayside. We always look out for new talents.

So a lot comes down to the filmer who makes the right calls and the crew constellations. Watch it for free while you can! We caught up with boss man Patrick Armbruster for the inside line on the flick and Absinthe itself. If you are not interested you can unsubscribe at any time. Absinthe has four principle filmers: I felt that it motivated both riders even more and therefore resulted in even better shots. On top of that we tried to adapt to the changing environment with new formats like our tours and shows. Lucas Debari opens up the movie with a ridiculously solid part.

This is the foundation of Absinthe Films and we all have been working together for years. Watch it for free while you can! The relief ffilms that much bigger the more effort you have to put in, snowboaard Absinthe Films dropped the World Premiere of their latest movie, Resonanceearlier this month and are currently snowbowrd the midst of their continent-spanning Resonance movie tour.

Please enter your email so we can keep you updated with news, features and the latest offers. So a lot comes down to the filmer who makes the right calls and the crew constellations. Cookies help us deliver our services. Shane Charlebois, our US filmer and strategic operator, did also find the spot to be. By using this website, you agree to our use of cookies.

At the same time we have several filmers helping out for a few weeks or even months. Danny and Gigi doing what they do best: If this doesn’t make you want to go snowboarding you’re either a grumpy bastard or a robot.

Like its predecessors, Resonance is shot on 16mm film and so retains that slightly grainy, classic feel. He lives up to that slot well, dropping some really memorable tricks, including a huge laid out backflip chucked casually on a heavy backcountry face and an ice wall ride.

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Scotty Lago is back after four years with great action. Jibbing is relatively sparse in Resonance.

Resonance, Snowboarding Film by Absinthe Films

The longing for the next day out in the mountain with your friends. The only other jibbing to be seen is the two-headed beast of a shared part from the unfortunately named Brandon Cocard and Cale Zima. More snow in Europe is probably to biggest highlight throughout the entire film!

Young Swiss rresonance Mat Schaer goes bloody massive, throwing technical tricks and absolutely sending it at the same time, as does Pat Burgener with a huge back double stomped bolts.

The accompanying Rolling Stones tune is somewhat fitting — both Danny and the Stones have been at it for a while and although no longer at their prime, are still delivering the goods. Danny Kass, who is starring for the first time in an Absinthe movie, did shoot his entire part over here within 3 weeks.

Snowboarding is not a crime taken from Whitelines from Spring There are 0 comments.

Absinthe Resonance Review

Not many people, every day snowfall, very exhausting work on the hill but it was magical. On top of that we tried to adapt to the changing environment with new formats like our tours and shows. Resonznce caught up with boss man Patrick Armbruster for the inside line on the flick and Absinthe itself. Please enter your email so we can keep you updated with news, features and the latest offers.

Absinthe Films’ Resonance – Patrick Armbruster Interview

We have a few new additions this year and it worked out great with every single one. That was the challange of this jump. Brandon Cocard has his first appearance and managed to deliver resojance great part. On his very last try before the sun would leave and after approx ten times hiking this monstreous in run, he finally got it.

Absinthe Films’ Resonance – Interview with Patr

Watch eagerly anticipated the follow-up to Sexual Snowboarding right here, right now. Right when I got back around the 10th of December it came down and all concerns were swept away. Around New Years the next big load fell in Switzerland and the motivation went through the roof. A few new faces in the crew will give the movie a refreshing feel as well. A retracted mechanical engine! Most of the time it works out although it can happen that riders always arrive at the wrong time in terms of weather and snow which affects their parts.

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The latest in a long line of their high-octane yet aesthetically driven snowboard movies, Resonance will certainly ring your bell. It was a hell of a ride and Snoeboard was there since the beginning to back us up!

For those who can’t read, this is full of sick So really anything is possible! Each filmer has his set of riders that he brought up and takes care of. Nicolas knew he had to get a if he wanted to win which he would have otherwise probably not have tried to get. Justin Hostynek, David Vladyka, Shane Charlebois behind the cameras and editing desks as well as Patrick Salama who has been editing our web shows and absknthe course Kelli Kellenberger who helpus us all stay organized.

Snow is always the driving rsonance but other aspects can come into play like logistics of a team shoot, contests that are nearby another crew. That is why Nicolas Muller is one of the most popular riders in the game.

LAAX definitely had the best season in a really long time snow wise. We had one more small gripe with Resonance — the amount of overcast footage that was absithe in fims final cut. It was the best time filming. The boy’s a machine No sleds, no hassle with other crews and of course ending the days in a cosy apres ski environment. There are huge hits over the Baker gap, smooth backcountry lines and plenty of buttering off pillows, as well as a shot of him straight-lining a heavy face Johan style.

He simply has the most amazing flow; snowblard spinning off windlips and rollers as if they were sculpted park features. One of the loudest cheers of the night was for his insane one-foot inverted backside that we first saw in a High Cascade camp edit last year. There is a need for both. When we started we had a good sense for the young and upcoming riders that stood loyal to us over all these years and we always went the extra mile to satisfy our audience.