CINEMA MK2 PARNASSE PARIS

By the mids two other cinemas would open in the sixth, the Bonaparte and the Lux, but the population of the left-bank arrondissement was always low—about , in and 10, fewer within five years—and so the number of cinemas stayed fairly low, too; the densely-populated eighteenth arrondissement, with about three times the people of the sixth, maintained eighteen or nineteen cinemas throughout most of the decade. Those foreign films never came from Hollywood or from the UK, however. At least by the middle of summer it was showing reissues of older German and French films, as well as occasional pictures made by Continental, the German-controlled studio that produced French movies during the war. The Parnasse changed more than almost any other cinema in the city, giving us a sense of the instability of exhibition there even with the ongoing control of the huge cinema conglomerates. All structured data from the file and property namespaces is available under the Creative Commons CC0 License ; all unstructured text is available under the Creative Commons Attribution-ShareAlike License ; additional terms may apply. If they were connected, however, then the case of the Parnasse might indicate that the linkage was a weak one, and that, on occasion, a cinema might be part of a chain and then independent, and then belong to a different chain altogether. To find out more, including how to control cookies, see here:

The following page uses this file: Structured data Captions English Add a one-line explanation of what this file represents. Perhaps two cinemas showing Russian films were too many, because by the cinema had become the Ce Soir-Parnasse, one of three cinemas linked to the Paris newspaper Ce Soir , along with the Ce Soir-Italiens on the boulevard des Italiens in the ninth arrondissement and the Ce Soir-Pigalle on the boulevard Clichy in the eighteenth. They seem to have been mostly Russian, with a German film here and there. Retrieved from ” https: With the June surrender to Germany and the subsequent Nazi occupation of Paris, there was—and this is, of course, an understatement—no place for an exhibition site of this kind in the city. This page was last edited on 24 May , at MK2 Parnasse June in Paris.

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Leave a Reply Cancel reply Enter your comment here You are commenting using your WordPress. The play on which the movie was based had last appeared in Paris in Octoberperformed at the Salle Pleyel in the eighth arrondissement by the Habimah Theatre, which had been founded in Russia but by then had moved to British Mandate Palestine.

Cinemas in Paris [[Category: The shaded area marks the sixth arrondissement, parnassee location of the Studio-Parnasse. To find out more, including parnqsse to control cookies, see here: The following other wikis use this file: Views View Edit History. Structured data Captions English Add parnawse one-line explanation of what this file represents.

Those foreign films never came from Hollywood or from the UK, however. MK2 Parnasse June in Paris.

Around the Parnasse began to change. I, the copyright holder of this work, hereby publish it under the following licenses:. Siete liberi di utilizzare questa immagine per qualsiasi scopo cinmea la licenzia indicata sotto e accreditando il suo autore LPLT. These were among the best first-run sites in the city as well as smaller subsequent run cinemas in the neighborhoods.

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After this, I lose track of the Parnasse for about 40 years. From Wikimedia Commons, the free media repository. There was enough demand for Yiddish films that a few other cinemas regularly showed them. On my last visit to Paris, in Julythe MK2-Parnasse cycled seven films parus week through its three screening rooms, each one of them a reprise of a recent French, German, or British film, and now it was just one of fifteen cinemas in the sixth arrondissement. Within the next dozen years or so, the Parnasse seems to have changed hands again, becoming part of the extensive MK2 chain of cinemas.

Within a few months the Parnasse had left the Ce Soir chain and was, apparently, an independent cinema. A few cinemas were connected to newspapers, and typically cinma in documentaries and newsreels: Fill in your details below or click an icon to log in: The current incarnation of the Danton cinema in the sixth arrondissement. You are commenting using your Twitter account.

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Category:MK2 Parnasse – Wikimedia Commons

If they were connected, however, then the case of the Parnasse might indicate that the linkage was a weak one, and that, on occasion, a cinema might be part of a chain and then independent, and then belong to a different chain altogether. Perhaps two cinemas showing Russian films were too many, because by the cinema had become the Ce Soir-Parnasse, one of three cinemas linked to the Paris newspaper Ce Soiralong with the Ce Soir-Italiens on the boulevard des Italiens in the ninth arrondissement and the Ce Soir-Pigalle on the boulevard Clichy in the eighteenth.

Files are available under licenses specified on their description page. Bythe cinema had been renamed the Juillet-Parnasse, one of several Juillet cinemas in the city, all of them almost certainly linked in a small exhibition chain.

The timestamp is only as accurate as the clock in the camera, and it may be completely wrong. Parnaxse listings for the Parnasse get a little sketchy after this, but it appears that by the cinema showed foreign films almost exclusively.

Mk2 parnasse paris

And now it showed Yiddish films. By using this site, you agree to the Terms of Use and the Privacy Policy. You may do so in any reasonable manner, but not in any way that suggests the licensor endorses you or your use.

In the first week of Januarythe cinema showed Eddie Cantor in Whoopeewhich had had a very successful first run in Paris two years earlier. The Bellevue in particular, in the twentieth arrondissement, but also the Studio- Monceau in the eighth, the Agriculteurs in the ninth, and the Palermo in the eleventh.

All structured data from the file and property namespaces is available under the Creative Commons CC0 License ; all unstructured text is available under the Creative Commons Attribution-ShareAlike License ; additional terms may apply. Permission Reusing this file.