TABOR ROBAK DRINKING BIRD SEASONS

Interrupting this stream of frenzying pastiche is an electronic calendar showing the passing of days in correct order. Hung in a space of its own, Butterfly Room consists of one hundred small screens arranged in a ten by ten grid, each with a dedicated miniature computer from which an animation of a fictional cellular organism emanates. Tabor Robak, Butterfly Room Conversely, Drinking Bird Seasons is a single channel video display, showing a fluid and swirling potpourri of colors, reminiscent of a puddle of liquid or a psychedelic hallucination. High Quality Wholesale Art Online. In order to be viewed at such a grand scale, the images are rendered in excruciating, hyper-real detail. The work traverses the duration of the Western calendar year by way of color palettes associated with national holidays.

You can leave a response , or trackback from your own site. The pairing of disparate subjects and the non-interactive recontextualization of software visuals effect a defamiliarization that renders the videos and their surfaces inextricably conjoined — content and canvas merged. Currently on view at Team Gallery is a new body of works by Brooklyn-based artist Tabor Robak , the digitally-focused artist whose LCD video pieces mine the aesthetics and possibilities for interface design in the 21st century. Drinking Bird Seasons , the sole single-channel piece, shows churning patterns of abstract color, reminiscent of a liquid with constantly changing viscosity. The work also features a live aspect, connected to WiFi in order to display a CNN news ticker at the bottom of the screen. Conversely, Drinking Bird Seasons is a single channel video display, showing a fluid and swirling potpourri of colors, reminiscent of a puddle of liquid or a psychedelic hallucination.

For Newborn BabyRobak utilizes the relatively new technology of transparent monitors in order to create a work with multiple layers as tabpr as channels.

Tabor Robak, Butterfly Room The creatures morph with time, changing in color and becoming increasingly complex. New York — Tabor Robak: Tabor Robak, Butterfly Room Conversely, Drinking Bird Seasons is a single channel video display, showing a fluid and swirling potpourri of colors, reminiscent of a puddle of liquid or a psychedelic hallucination.

Entitled Fake Shrimpthe exhibition will run from 03 May through 21 June Interrupting this stream of frenzying pastiche is an electronic calendar showing the passing of days in correct order.

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Tabor Robak: Drinking…

This exhibition is nird ecstatic celebration of computer-generated imagery, as well as an agnostic exploration of its distorting capacity to falsely cast citizen in the role of godlike creator. You can follow any responses to this entry through the RSS 2.

seasone This entry was posted on Friday, June 5th, at 9: Always centered along the context of a functioning smart phone, with its interior logic, and sudden interruption of exterior information much in the way that Google and Facebook have aggressively begun outside incorporating information streams into their own app functions. Mail will not be published required. In order to be viewed at such a grand scale, the images are rendered in excruciating, hyper-real seazons. Global contemporary art events and news observed from New York City.

Team is located at 83 Grand Street, between Wooster and Greene. Fake Shrimp is on view at Team Gallery through Drinkin 7, Robak often grounds his imagery in identifiable allusions, appropriating elements from real-world and digital sources, the likes of which include creative suites, video games and science fiction movies, as well as visions tests, animals and quotidian consumer goods.

Writing implements are the tools of artists as well as accountants, writers as well as workers, here monumentalized. Tabor Robak, Newborn Baby Conversely, Drinking Bird Seasons is a single channel video robqk, showing a fluid and swirling potpourri of colors, reminiscent of a puddle of liquid or a psychedelic hallucination. Currently on view at Team Gallery is a new body of works by Brooklyn-based artist Tabor Robakthe digitally-focused artist whose LCD video pieces mine the aesthetics and possibilities for interface design in the 21st century.

Robak is interested not only in the innovative modes of making allowed for by technology, but the new ways of seeing they often necessitate. Hung in a space of its own, Butterfly Room consists of one hundred small screens arranged in a ten by ten grid, each with a dedicated miniature computer from which an animation of a fictional cellular organism emanates.

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The work traverses the duration of the Western calendar year by way of color palettes associated with national holidays. Tabor Robak, Drinking Bird Season Tabor Robak presents four new CGI works, each wrought with gravitas, humor, technical bifd and an implausible combination of rigorous discipline and unbridled creativity. The sheer abundance of constantly changing visual content endows the work with a prodigious dynamism, a sense of actual vivacity.

Tabor Robak : Fake Shrimp

New York — AO Preview: Gallery hours are Tuesday through Saturday, 10am to 6pm and Sunday, Noon to 6pm. You can leave a responseor trackback from your own site.

The pairing of disparate subjects and the non-interactive recontextualization of software visuals effect a defamiliarization that renders the videos and their surfaces inextricably conjoined — content and canvas merged. The video appears abstract, even psychedelic, but it is tsbor from arbitrary: The video is characterized as much by the misleading mundanity of those cups as by frequent instances of spontaneity: Drinking Bird Seasonsthe sole single-channel piece, shows churning patterns of abstract color, reminiscent of a liquid with constantly changing viscosity.

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The work also features a live aspect, connected to WiFi in order to display a CNN news ticker at the bottom of the screen. Team Gallery [Exhibition Page]. On one level, we may understand the work as an abstract painting for a digital age; on another, Robak has created a visual manifestation of temporality on his own terms.

He has also been featured extensively in group exhibitions at galleries and institutions both stateside and abroad, including the 12 th Lyon Biennale; Palazzo delle Esponizioni, Rome; MoMA: